Curriculum Vitae

| EDUCATION |

2015- 2019
DSRA (Diplôme Supérieur de Recherche en Art), Préservation et Archéologie des média, ESAA (Avignon school of Art) France. (not defended for administrative reasons)

Titre du mémoire: Plaidoyer pour la reconstruction média-archéologique. Apport des archéologies des média comme théorie complémentaire de conservation des oeuvres d'art média-techniques.

2011-2013
DNSEP (Diplôme National Supérieur d’Expression Plastique) Option Art, Mention Conservation et Restauration, equivalent to a master’s degree, ESAA (Avignon school of Art) France.

Titre du mémoire: La préservation des objets numériques complexes, théorie et pratique.

 

2008-2011
DNAP (Diplôme National d’Arts Plastiques) Option Art, Mention Conservation et Restauration, equivalent to a bachelor’s degree, ESAA (Avignon school of Art) Avignon, France.

2008
Baccalauréat Scientifique, Versailles, France.

| PROFESSIONAL EXPERIENCE |

2017-Today
Senior Digital and Media conservator, ZKM | Center for Art and Media, Karlsruhe, Germany.

2016 

Digitization assistant, Centre Pompidou, Paris, France.

2015-2017
Associate Studio Dahlia SAS, expertise in digital and media conservation, Orgon, France.

2013-2015 
Junior Media conservator, ZKM | Zentrum für Kunst und Medien, Karlsruhe, Germany.

2012 (3 mois)
Internship at ZKM | Zentrum für Kunst und Medien, Karlsruhe, Germany.

2009-2011
Internships in restoration of painting, mural painting and contemporary art, France (Saint-Cyr l’Ecole, Avignon and Lyon), Italy (Toffia) and Belgium (Menin).

| RESEARCH |

 

2019-Today

Member of the PAMAL_Group, European artistic collective.

2015-2019

2013-2014

  • Research Fellow, PAMAL Lab (Preservation & Art – Media Archaeology Lab), ESAA, Avignon, France.

2012

  • Research Fellow, Still water laboratory, New Media department of the University of Maine, Orono, Maine, USA.

  • At the initiative of the project DIGITALIS, a methodological diagram for the preservation of complex digital objects. 

  • Involved in the project Forging the Future: New Tools for Variable Media Preservation.

  • Involved in the project DAHLIA: Data Base for Heritage Linked with Art. 

  • Involved in the project «Que reste-il de la beauté ?», archival database and website preservation.

| EXHIBITIONS |

Performance-démo 3615.LOVE

PAMAL_Group, group exhibition, Cookie Party, Paris, France, 26 October 2019.

3615.LOVE

Research-exhibition of PAMAL, Cerisy-la-Salle, France, May 2018.

Centerbeam. A Performative Sculpture by CAVS

Curators : Philipp Ziegler, Lívia Nolasco-Rózsás, Morgane Stricot, ZKM, Karlsruhe, Germany, May-October 2017. 

Frankenstein Média

Research-exhibition of PAMAL, Médiathèque Ceccano, Avignon, France, Dezember 2015.

Archéologie des média - Les oeuvres d'art naissent, vivent et... meurent aussi

Research-exhibition of PAMAL, Seconde Nature, Aix-en-Provence, France, May-June 2015.

| LECTURES & CONFERENCES |

11 June 2020

LVLup! Online Talks #4, Videomängude muuseum LVLup, Tallinn, Estonia.

Title: Digital Art Conservation. With Matthieu Vlaminck. 

13 December 2019

Technological Arts Preservation Symposium, Sabancı University Sakıp Sabancı Museum, Istambul, Turkey.

Title: Media archaeological reconstruction of media and digital artworks: practical case-studies. With Daniel Heiß and Matthieu Vlaminck. 

7-9 November 2018

Chroniques X Mian – Marché International de l’Art Numérique, thecamp, Aix-en-Provence, France.

Title: Unique throughout the World – the ZKM Karlsruhe.

24-27 September 2018

iPres 2018 the 15th International Conference on Digital Preservation, Harvard Library & MIT Libraries, Boston, USA.​

Title: Open the Museum’s Gates to Pirates: Hacking for the Sake of Digital Art Preservation. With Daniel Heiß and Matthieu Vlaminck. 

6 September 2018

Medialounge um sechs, ZKM, Karlsruhe, Germany.​

Title: Konservierung Digitaler Kunst.

4-5 June 2018

MAPS 2018, Media Art Preservation Workshop – Born Digital, Ludwig Museum, Budapest, Hungary.

Title: Piracy and Folk Preservation in Digital Art Conservation.

20-28 May 2018

Colloque "Art, littérature et réseaux sociaux", Cerisy-la-Salle, France.

Title: Enfonçons les portes ouvertes du web.

22-23 March 2018

Transformation Digital Art 2018, International Symposium on Digital Art Preservation, LIMA, Amsterdam, Netherlands.

Title: ZKM – Strength in Numbers.

15 March 2018

3615 LOVE : journée d’étude, Collection Lambert, Avignon, France.

Table-ronde avec Stéphane Bizet et Lionel Broye (artiste, PAMAL) – Recréation des poèmes vidéotext d'Eduardo Kac (1985-1986).

6 March 2018

Arte Journal. ​Digitale Kunst: Das Problem der Archivierung (en français) mit Dorcas Müller, Margit Rosen, Morgane Stricot.

13 December 2017

Net.art generator / generating discourses, ZKM, Karlsruhe, Germany.

Panel discussion with Cornelia Sollfrank, Winnie Soon and Matthieu Vlaminck. 

6 & 8 décembre 2017

Colloque "Art numérique et postérité". BNF + INHA, Paris, France.
Table-ronde:  Préserver les œuvres numériques : différentes stratégies internationales.

2 September 2017

Celebrating the 40th Anniversary of Centerbeam. ZKM + MIT ACT, Karlsruhe, Germany.

Title: Centerbeam, toward a Possible Reconstruction.

4-8 Novembre 2015

Symposium des Chercheurs Émergents. Part of Re-create: Theories, Methods and Practices of Research-creation in the Histories of Media Art, Science and Technology. Montréal, Canada.

Title: Retro Engineering and Alternative Histories: Possible Roads Toward Media Archaeological Reconstruction. Best Paper Award.

20-21 October 2014

Journée d'étude "Archéologie des médias", ENS-Lyon et ENSBA-Lyon, France.

Title: Duplication, versioning, réinterprétation... les challenges de la présentation d'oeuvre à composante technologique.

October 2013

Digital Heritage International Congress, Marseille, France.

Title: Digital Art Preservation: Practical answers to theoretical issues

| PUBLICATIONS |

GUNTHERT (A), KIRCHNER (T), OZDOBA (M-M), et al. Mass Media / Transmedia / Postmedia. Recherches à l’interface entre arts et technologies, Deutsches Forum für Kunstgeschichte, Paris, France, (forthcoming publication, 2021). 

 

HEISS (D), STRICOT (M), VLAMINCK (M), "Media archaeological reconstruction of media and digital artworks: practical case-studies", book chapter, Sabancı University Sakıp Sabancı Museum, Istambul, Turkey, (forthcoming publication, 2020).

PAMAL, Code X, 3615 Love, Hyx, Orléans, France, 2019.

 

HEISS (D), STRICOT (M), VLAMINCK (M), "Open the Museum’s Gates to Pirates: Hacking for the Sake of Digital Art Preservation", In Proceedings of the 15th International Conference on Digital Preservation (IPRES18), ACM, New York, NY, USA, Sept 2018.

STRICOT (M), "Enfonçons les portes ouvertes du Web", Actes du colloque "Art, littérature et réseaux sociaux, online publication.

GUEZ (E), STRICOT (M), BROYE (L), BIZET (S), "The afterlives of network-based artworks", Journal of the Institute of Conservation, published on-line, May 2017.

 

STRICOT (M), "Retro Engineering and Alternative Histories: Possible Roads Toward Media Archaeological Reconstruction", Leonardo/ISAST, Journal of Arts, Sciences and Technology, Volume 50, Issue 2, April 2016, p.192-193.

 

STRICOT (M), "Agir (et non pas réagir) - Un point de vue sur la conservation des Arts numériques". MCD Hors-Série Archéologies des média, #75, September 2014, p. 94-97.

STRICOT (M), "Digital Art Preservation: Practical answers to theoretical issues". IEEE, Proceedings of the Digital Heritage International Congress, Marseille, France, October 2013.

© 2020 par Morgane Stricot